Bondens in action

GRANDCHILD ONE Research for TLP involves trawling Arizona education, veterinarian practices, SW France geography and the way people fall in love. All the usual boring BB stuff. Plus, continuously, flying - from radio procedure, to cruising speeds, to ADF (automatic direction finding). Recently I bought Microsoft Flight Simulator X, serious software which teaches plane handling. Alas it’s hard to stop writing and allocate time to this demanding package.

Grandson Ian learns far more quickly, due to a 49-year age disparity and because he has eyes in the back of his head. I watch and take notes. Yesterday he landed a float plane and taxied to a pontoon where his passenger stood. Fine, but how do you bring something that floats to a halt? We never found out and the passenger was twice terrified out of his life.

GRANDCHILDREN TWO AND THREE This photo is positively dynastic. On the left is Ysabelle (aged 21), on the right Zach (5), sister and brother. She is reading to him a Richard Scarry Mrs BB read to her nearly two decades ago. But stay! She invites him to read the next chapter which he does, stumbling only over “barnacle” and mistaking “barge” for “bridge”. Ysabelle is presently finishing a dissertation on US foreign policy before leaving Leicester U, Zach is in the third term of his first year at primary school.

Zach calls Mrs BB Little Grannie and me Big Grandad. His paternal grandparents are Nanna and Grandad Who Looks After Nanna.

THE LOVE PROBLEM 58,408 words. Jana is on the brink; the affair will wreck her.

How my hair finally caught up

A woman emerges from a hair salon having chosen her appearance from ten different variants; I go in unkempt and slink out as Magwitch. I could spend more money but being tended cosmetically resonates uncomfortably with my northern upbringing. Now I have no public life there are, I note, alternatives - states beyond unkempt: shaggy leading to wild leading to Dionysian.

Mrs BB you might have thought would resist visiting Tesco with a saluki. Interestingly, she’s ambivalent. Although hard on food-encrusted trousers and shirts worn longer than a week, I can’t recall her ever insisting I have my hair cut.

Once while I was still employed my lady hairdresser asked if I’d consider lending her my head as a model in a hair-stylist’s competition. The idea appalled me. I am self-regarding but not that way. Allowing nature to take its course is another matter.

For, resembling Cookie Monster, I must act the part. I stopped combing months ago since a cultivated head of hair misses the point. How then should I adjust my behaviour to match the burst cushion above. A louder voice? The Ancient Mariner’s eye? Active manipulation of a little learning?

Or none of these? Examining this rustic version in the shaving mirror I made a surprising discovery. My uncontrolled hair has merely caught up with the person I already am! It was those periods of short back and sides that were out-of-synch. What’s more my greatest roles – as Lear, as Blake’s Nebuchadnezzar, as Tolstoy (the sartorial exemplar) – are all tantalisingly imminent. I am hairier, therefore I am.

THE LOVE PROBLEM 56,434 words. It is shockingly difficult to capture the first fragile, virtually imperceptible, step towards loving someone. A thousand words at least will need to be rewritten.

A car, a knife and a vet

And why, you may ask, is Works Well sporting a photo of a BMW Isetta bubblecar? Because an Isetta played a mildly memorable role in our family history and younger daughter (Occasional Speeder) bought me the model as a souvenir.

I was working on MotorCycling in 1962 and our first daughter (Professional Bleeder) had just been born in Charing Cross Hospital in London. Despite its name the magazine also road-tested bubblecars and I was able to borrow an Isetta to pick up Mrs BB and the infant PB and take them home. The vehicle had a front opening door. Child-in-arms my wife sat on the bench seat – but on the wrong side! I closed the door to check she was comfortable and the steering wheel (attached to the inside of the door) began gently crushing the baby. But not fatally. As I say, a memorable moment and one regularly referred to on bibulous evenings.

GRANDSON Ian is staying with us. He does a lot of cooking for his mother PB (see above) and partner and has just broken his favourite kitchen knife. This 12.5 cm Taiku is the replacement which he chose and I paid for. He proved to be incredibly picky. Could have had a Sabatier but rejected it because the tip of the handle curls inward slightly and this he found unsuitable for his sensitive hand. Never mind. He cooks well.

THE LOVE PROBLEM 54,441 words. What is the most lovable male profession? As previously recounted I opted for veterinarian hoping this would take me halfway there since I find it difficult doing lovable men. Even so it’s hard work. Certainly I don’t love him yet.

A couple more lists

Seen at Borderline Film Festival
March 25 – April 10, Hereford.
Another Year (dir: Mike Leigh) – Middle-class couple view social/emotional failure among friends; first half tedious/repetitive, second more dramatic.
My Afternoons With Margueritte – Illiterate handyman, Gerard Depardieux discusses La Peste with aged woman doctor; completely charming.
Black Swan – Hilariously OTT; supposed ballerina Nathalie Portman is seen dancing, but only from the waist up.
Genius Within – Amusing but overlong documentary about pianist Glenn Gould; few musical insights.
Rashomon – Four views of murder; 60-year-old Japanese classic; still shines.
The Secrets in Their Eyes – Brilliant Argentinian mystery thriller/love story; amusing and profane.
Of Gods and Men – Austere, truth-based account of Algerian monastery monks, facing life or (literally) death decision about terrorist threat.
Biutiful – Overlong, over-miserable account of petty criminal/father of two in Barcelona; Javier Bardem superb.
The Illusionist – Jacques Tati screenplay in cartoon of musical hall musician ceding his profession to rock-n-roll and TV; authentic and beautiful fifties Edinburgh backdrops.
Blue Valentine – American couple marry too young, squabble, separate; much bonking; do not be tempted.

TEARS, BUT OF WHAT QUALITY? BBC’s classical music channel, BBC3, invited listeners to say which pieces made them cry. The choices (a Chopin étude, for goodness sake) raised the suspicion that the tearful were parading their intellect. But I’m just as bad with Strauss’s Four Last Songs and Mozart’s Soave il vento.

Let’s be more vulgar: the Free French singing La Marseillaise in Casablanca, Jo Stafford’s Blue Moon, the Pogues’ And the Band Played Waltzing Matilda, anyone singing My Luve is Like a Red Red Rose and/or Believe Me if all Those Endearin’ Young Charms, Elton John and Kiki Dee with Don’t Go Breaking my Heart (repeatedly on juke box during my first ski-ing holiday), Charlie Parker’s Embraceable You, the Z-cars theme. Salt water a’plenty.

Denied a mobile I deconstruct

Driving away from the toils of the garden centre I look for catharsis and find it in the deconstruction of hymn libretti. Here’s: Oh God Our Help in Ages Past, verse four.

A thousand ages in Thy sight
Are like an evening gone,
Short as the watch that ends the night,
Before the rising sun.

The urge to embellish meaninglessly; the second simile evokes a shorter period of time than the first. So why bother with the first?

Eternal Father Strong to Save (ie, For Those in Peril on the Sea) contains a bit of the Town and Country Planning Act:

Who bidd’st the mighty ocean deep
Its own appointed limits keep.

Amazing! The sea apparently defined its own boundaries. And, alas, the bidding didn’t work. Yet as I sing the hymn my throat contracts with emotion; this is a noble tune, I’ll reserve my banderilla for something else.

My final example requires no deconstruction or, for that matter, any further comment:

A message came to a maiden young;
The angel stood beside her,
In shining robes and with golden tongue,
He told her what would betide her.

By now the car is in my own driveway and catharsis is complete. I have passed into the state that follows: the exact word escapes me but it is characterised by a desire to post.

The year of the spoon

These secondhand serving spoons were a gift from my father about fifty years ago. They are silver and when struck ring out with a distinctive light “ping”. Two are plain, one carries a set of initials, the fourth a date – 1818. Despite their age and potential value we have used them for what they were intended and they travelled to the USA and back when we lived there. I Googled the dated spoon’s birth year:

Born: Karl Marx, William George Fargo (co-founder Wells Fargo), Amelia Jenks Bloomer (feminist reformer; must have been tough with that name), Emily Brontë (in Thornton, three miles away from, and 117 years before, I was born), Lucy Stone (suffragist and feminist), Richard J. Gatling (inventor of eponymous gun), James Prescott Joule (experimental physicist; gave name to unit of energy)
Published: Frankenstein, Endymion, Northanger Abbey (posth.).
Written: Hammerklavier sonata.
Events: Thomas Bowdler becomes infamous, George IV orders boots for left and right feet, Bernardo O'Higgins establishes Chile's independence from Spain, Australia Day celebrated.

MACHINE BETTER Everyone complains about dealing with machines, recorded voices, etc, rather than humans. But there are advantages. Throughout Hereford’s film festival we needed change for parking meters. Even counter operators at the Tesco filling station frowned when I repeatedly bought a paper with a £20 note. But the automated check-outs at the supermarket proper didn’t grumble.

THE LOVE PROBLEM 47,971 words (ie, almost half way). Jana’s student, Didi (a woman), goes solo. Her other student, Matthieu (a fella), struggles.

Dumbness: a lifestyle choice

Ignorance comes in different forms. As a child I was unaware of how the gyroscopic top (see inset) or the radio worked. Magic, I said. But fate in the form of RAF national service forced me to recognise that the radio is not magic. By arranging electronic components - resistors, capacitors, coils and (in those days) thermionic valves - in a certain manner you can create a superhetereodyne, a name more exotic than the circuit’s comparatively mundane function.

An aerial responds to electro-magnetic waves sent from afar. The aerial is linked to the superhet which is adjusted to pick out a selected frequency from these waves. This tiny signal is made more powerful and its variations are duplicated in the coil of a loudspeaker. The coil vibrates the speaker cone, duplicating sounds imposed on the EM wave. Thus Desert Island Discs.

Since no one forced me I never bothered to explain the top although I think I could. Left to myself I might have investigated the radio. One was a visible mystery, the other invisible. Watching and touching the spinning top taught you things. The radio remains inert and getting to know it involves maths which usually blunts casual curiosity.

Understanding electronics is chic and I’m vain enough to want this. The forces at work in the top are strange but not, it seems, strange enough. I’m at ease with my ignorance.

GORGON COVER The pro tem design for my novel Gorgon Times cost £100. I challenged commenters to better it for the same sum. FigMince responded and here is his idea. He says he doesn’t want the money, but we’ll see about that. Anyone else?

Higher matters and hackery

CULINARY DIALOGUE “I’m going to turn the rest of the ham hock into a sort of galantine,” said Mrs BB. The words dimly registered. Later I came across the dish in the fridge and asked Mrs BB, “You said ‘sort of’; could this be legitimately called a galantine?” Oh, yes, skin and bone give off a fluid that sets like a perfect jelly; so what you see is definitely a galantine. Why was I asking? Because I was not only prepared to eat the stuff itself, but also to consume the word as a word. A lovely word. The g’s saltiness was ameliorated by a potato salad.

THE LOVE PROBLEM I’m torturing myself. Present wordage is 39,882 and I’m listing it as that rather than adding another 118 to take it past 40,000 words. In a novel each 10,000 words is a milepost to be celebrated; ten mileposts and I’m done. But I can afford the mild pain. The next 118 words, plus quite a lot more, are clear in my mind and only need transcribing. A luxury moment.

GORGON TIMES Still no word from the agent, no reassurances. Best to plan for the worst - a DIY publishing project tied in with sales and publicity via Amazon. As a result I’ve had a front cover designed. Sharp-eyed readers will notice the author isn’t Barrett Bonden. Most commenters will know the name shown. It belongs to another person entirely, unblogged, a bitter anchorite who envies BB’s wider social existence.