A couple more lists

Seen at Borderline Film Festival
March 25 – April 10, Hereford.
Another Year (dir: Mike Leigh) – Middle-class couple view social/emotional failure among friends; first half tedious/repetitive, second more dramatic.
My Afternoons With Margueritte – Illiterate handyman, Gerard Depardieux discusses La Peste with aged woman doctor; completely charming.
Black Swan – Hilariously OTT; supposed ballerina Nathalie Portman is seen dancing, but only from the waist up.
Genius Within – Amusing but overlong documentary about pianist Glenn Gould; few musical insights.
Rashomon – Four views of murder; 60-year-old Japanese classic; still shines.
The Secrets in Their Eyes – Brilliant Argentinian mystery thriller/love story; amusing and profane.
Of Gods and Men – Austere, truth-based account of Algerian monastery monks, facing life or (literally) death decision about terrorist threat.
Biutiful – Overlong, over-miserable account of petty criminal/father of two in Barcelona; Javier Bardem superb.
The Illusionist – Jacques Tati screenplay in cartoon of musical hall musician ceding his profession to rock-n-roll and TV; authentic and beautiful fifties Edinburgh backdrops.
Blue Valentine – American couple marry too young, squabble, separate; much bonking; do not be tempted.

TEARS, BUT OF WHAT QUALITY? BBC’s classical music channel, BBC3, invited listeners to say which pieces made them cry. The choices (a Chopin étude, for goodness sake) raised the suspicion that the tearful were parading their intellect. But I’m just as bad with Strauss’s Four Last Songs and Mozart’s Soave il vento.

Let’s be more vulgar: the Free French singing La Marseillaise in Casablanca, Jo Stafford’s Blue Moon, the Pogues’ And the Band Played Waltzing Matilda, anyone singing My Luve is Like a Red Red Rose and/or Believe Me if all Those Endearin’ Young Charms, Elton John and Kiki Dee with Don’t Go Breaking my Heart (repeatedly on juke box during my first ski-ing holiday), Charlie Parker’s Embraceable You, the Z-cars theme. Salt water a’plenty.