Bliss it was, indeed

The novel is finished (for the moment!), revised right through three or four times, sent to Amazon as a Word document, transmitted back to me - converted - so that the italics show up on Kindle, emailed to Plutarch for structural assessment. The opening chapter is too tight, too brusque (two Americans talking to each other) but I cannot presently tease it into relaxation. A lifetime’s conviction that all articles are too long leaves me deficient when asked to add rather than cut

I am under-employed. Wrote a post this morning, here’s another. Nobody’ll read them when they are jam-packed like this. But this is different, this is bliss.

Bliss means music, the greater power that leaves prose – even poetry – rocking in its wake. Nothing high-flown, just the sea-shanty/lamentation, Tom Bowling, where lines like

… lies poor Tom Bowling
The darling of our crew;
No more he'll hear the tempest howling
For death has broached him to….

Thus Death, who kings and tars despatches
In vain Tom's life hath doff'd
For tho' his body's under hatches
His soul is gone aloft

are matched to a simple, unsimple, desperately sad tune. Which I faintly know but have never learned. I listen to tenor Robert Tear, boy treble Lewis and a school band and – oh joy! – ensnare and hold the first eight bars. But the next eight rise gently, subtly. Just the first two notes - that’s all I need! Got them! Can sing them. On to the keyboard and – ah! – that’s it, the song’s heart laid bare, it’s mine damnit. And now I can take it with me to the kitchen, fill the coffee percolator, sing it confidently in the sharp acoustic and snuffle at its sadness.