Taking the scenic route

Writing the novel I am in the midst of describing the slow birth of a love affair but that can be just as demanding as being clear about the passage of time, or tapping out details of a room where the disposition of the chairs helps propel the plot. What is different is my involvement in the emotions and the need to break away from time to time and stop panting.

I mentioned acquiring an electronic keyboard. It sits inches away from my left elbow and the voice is set to Grand Piano. But what tune when Jana’s dilemmas become too piercing? Here’s a song where simple words and heartbreakingly simple notes combine.

Did you not see my lady (A tight cluster of notes, one for each syllable)
Go down the garden singing (That lovely lower note on “Go”)

And in no time at all words and music create the image of a woman whose grace is implicit (“my lady”) singing, not for an audience, but for the sheer pleasure of the thing. It is surely her very unselfconsciousness that sets the alleys ringing.

Another verse followed by true genius, the middle eight which starts.

Though I am nothing to her,
Though she would rarely look at me,

The musical pattern is similar but moves up the scale. A transition into what sounds almost like a minor key captures the restrained yearning of the admirer. How clumsy I’m making it sound. How much better that you pick it out on your own (or blow it on a tin whistle) reciting the words in your mind. The tune, I have just discovered, is by Handel. I should have known that years ago.

Where flying's for the birds

In Britain, a private flight involves calling a charter specialist and a foolish amount of money. In New Zealand you just turn up with the aforesaid deep pockets. In France it’s another matter.

Followers of Works Well may remember last year’s illness and surgery prevented various BB celebrations and these merged into 2011 plans for a short stay in Brittany plus a flight along that region’s wonderfully ragged coastline. The Internet revealed inexpensive options, all illusory. Helicopters? Forget it. Bargains turned gold-plated at FOUR TIMES the cost of hiring Richard Hammond’s chopper in Britain, posted two years ago.

Fixed wings come cheap under baptême à l’air (introductory flight) schemes, but note “introductory”. These are for people considering becoming a pilot. Not only is the joystick – a yoke these days – available for the passenger, using it is mandatory. Our aim was gentle sight-seeing, not me sweating cobs trying to keep the altimeter at 2000 feet with Mrs BB suffering conniption fits to the rear.

The eventual solution was a cadeau (gift) flight in early September. Thirty minutes there and back in the direction of Cap Fréhel from St Brieuc aerodrome. I’d have preferred an hour but I’m too old to learn to fly. Will post but light aircraft flights definitely come under: Man Proposes, God Disposes. The weather may win.

The plane is a Robin (see pic) which may amuse those in the know.

NOVEL There’s an irony to the above since Stall Averted (new title) is about the joys of flying in south-west France. Though I say it myself, progress has been phenomenal. By rising two-and-a-half hours earlier for several weeks I shall, when this post is done, resume at 99,621 words. Jana is now loveable and is in the process of being loved.

In July, a second Spring.

Pretty dull, carpets? I’m not so sure. Recently we had the hall, stairs and landing carpets replaced and I found myself breaking off from the keyboard to watch Lewis at work. Cutting stuff into shape with his Stanley knife, positioning the awkward lengths with his knee-activated stretcher, folding the edges over neatly with a bolster worn smooth by his hands. A stapler also played a part. You don’t need many tools to lay carpets, just experience. It took Lewis a year to learn how to keep unwanted bubbles at bay.

Carpets grow old under your feet and you’re unaware of the process. We made the replacement decision when Mrs BB spotted a worn patch on the bottom stair. But it seemed such a small patch. Couldn’t I just colour the visible warp/woof? Mrs BB said no and I went along with her. After all we’re as rich as Croesus. It was only when I rolled up the discarded material in daylight, out on the driveway, that I realised how faded it was, and how the fading differed from area to area. A heck of a load for the dump.

It was Mrs BB who decided on stripes instead of a solid colour (see before and after). A marvellous decision. Hall and stairs are not only lighter; that part of the house has grown in volume.

I was reminded of March 1998 when we first moved into the then new house. We had furniture and beds, etc, but it felt like a cave. Only when the carpets were laid did it turn into a home. Yes carpets are boring but they frame our existence. And think what frames do for paintings.

Down with Cio-Cio San! Well, why not?

In Music magazine, August 2011, published astonishingly by the BBC – main conspirator in the myth that all classical stuff is masterly – comes the article I have been waiting decades for. Ten leading critics describe with relish the pieces which bore them rigid.

Fiona Maddox of The Observer (a newspaper I read) trashes Strauss’s Don Quixote (Hurrah, say I.), all Vivaldi operas, solo oboe and flute music and Boccherini, while homing in on Purcell’s Dido and Aeneas despite its sublime “When I am laid to earth”. Doesn’t like the screechy sorceress, the sailors (especially when sung with rural accents) and the endless, repetitive, mawkish choruses. Oh cor!

Michael White (The Daily Telegraph) would rather endure dental surgery than listen again to Tristan and Isolde, resenting the interminable wait for something that resembles action and hating Tristan “moaning in delirious competition with that bleating cor anglais.”

Other equally qualified critics take the axe to Vivaldi’s Gloria (“Its opening flourish – nine Ds in a row – aptly warns of the banalities”), Bruckner’s seventh symphony, Madame Butterfly (Hurrah again, from me.) and Brahms’ Requiem (Now that’s rather harder for me to take.). Plus others.

Why my glee? Don’t I like so-called classical music? Yes, but I have antipathies and I’m reassured when the musically literate reveal theirs. Also, a well expressed antipathy may tell you more than predictable plaudits. Good on the Beeb.

NOVEL Now called A Stall Averted. Huge progress (88,794 words) as a result of rising at 6.30 am so I can loll during the afternoon, watching the Tour de France. A 5641-word chapter as Jana tremulously starts to imagine she’s in love. Yes, that fascinates me just as much as ATC chat.

I fear he was a gay old dog

This love story happened in the fifties when I lived in Bradford with my mother, enduring a forlorn adolescence which only ended when I moved to London aged 24.

My mother’s male English bull terrier, Kim, regularly had intimate relations with next door’s male boxer. These assaults left his body parts in disarray and a vet was needed to re-arrange them. This meant taking Kim by bus to the city centre and a half-mile walk thereafter.

Next door’s daughter – who’d observed the rape – volunteered to come with me. First name and surname are now forgotten but all else is sharply remembered. Her face was scarred, her blonde hair tangled and she wore NHS glasses. Perhaps a year older, she was unperturbed and spoke sympathetically in a voice of gentle authority. About various things. I was quickly in love.

The vet manipulated and we emerged from his surgery in a steep street. The dog needed to micturate and a green snake flowed down toward the Alhambra theatre. My saviour continued to chat unconcernedly.

She attended college and was away during termtime. Otherwise I might well have proposed, she might have accepted and we might never have left Bradford. A road not taken.

UPDATES Gorgon Times, re-edited yet again, is with several agents. The Love Problem (83,425 words) has been renamed A Stall Averted. Granddaughter Bella has a 2.1 in politics, the first on my side of the family to gain a degree. At her request I edited her CV and cut it by a fifth. Blogger failed last week and I was unable to access the server; other concerned users recommended clearing caches and (a frightening prospect) cookies. Despite the risk of losing favourites and shortcuts I did as bid and the sun rose again in Herefordshire.

Colours and smells from my hinterland

Washing-up liquid has to be green. Not blue nor – worst of all – orange. I confess I’m clay in the hands of the advertisers: green is whispering pine trees and not industrial chemicals. But there’s another, virtually primordial, influence. At age six, when these things mattered, green became my favourite colour. A lightly taken decision I have never escaped.

Twenty years ago we bought cocoanut-scented soap in Haut. Lompnes, a French mountain town, a cité sanitaire peopled entirely by invalids. The delicate and subtle scent proved an aid to washing my face which I’m otherwise not disposed to do. The subtlety has never been duplicated. Today I used cocoanut soap from The Body Shop. Not the same.

Maclean toothpaste once had a tingly taste hinting at the stuff women use to remove nail varnish. Probably toxic. My preferred poison. Then Maclean entered the Bland Corral and teeth-cleaning became a burden. Sensodyne is the dentist’s recommendation. Blah!

Swarfega is flurorescent green, seductively slimy, has the sharp manly smell of a refinery’s backside and cleans engine oil from your hands. Unaffected by fashion but I don’t get my hands oily these days.

Pungent and earthy Vim was a grey powder which came in a cardboard tube. Add water and you could grind lacquered stains off aluminium pans. Perfect for my Gran who loved elbow-grease jobs. Mrs BB thinks Vim gave way to Ajax. This evokes a couplet from She’s Only a Bird in a Gilded Cage modified by Elder Daughter:

It’s sad when you think of her wasted life,
For youth doesn’t mix with Ajax.

Cue for giggles.

Last post from Languedoc

Mrs BB, as serious as you like, studies menu.

Toad was found swimming in pool, unable to get out. Heroically rescued by BB.

Zach buried on the beach at Valras Plage.

Zach, wearing his TdF King of the Mountains shirt, strolls through Bédarieux.

St Jean's boulangerie - referred to as The Windmill Shop by Zach.

Darren, Zach's dad, runs on water to shock the populace

Galsworthy could also have stood cutting

The occasional table, just visible, was made by my great grandfather. The baby chaffinch (extreme right) was touring significant British literary artefacts and paying homage to the Barrett Bonden portable typewriter, source of millions of words for publications as diverse as Keighley News and Cycling & Mopeds before being retired in favour of word processing.

Had the chaffinch flown upstairs at Ch. Bonden it might well have inspected my latest literary tool. On holiday I used my Kindle to switch between two works. The first was Galsworthy’s The Forsyte Saga (Why was that man found worthy of a Nobel Prize?) the second was the MS of my own novel, Gorgon Times.

This was more than self-massage. Kindle allows potential changes to be underlined while reading the MS in a format resembling a published book. At home I used the 477 underlinings to modify the master MS on the PC. And rewrote five longer passages including a half chapter. Some 1500 words bit the dust. Tedious, non-creative work will ensue.

MATTER OF ETIQUETTE For months, perhaps years, Mrs BB has complained I often rise from the dining table, face besmeared with gravy, custard, strawberry juice or, sometimes, all three. It has to do with getting old and caring less and less about how I look. Since this impromptu maquillage is invisible to me I am undisturbed but I do resent hopping out to the kitchen to clean greasy hands after nibbling a chop bone. Recently I suggested we invest in a table-napkin container to sit adjacent to the S&P. Mrs BB instantly agreed. I am left reflecting on the length of time this decision has taken. And the fact that such containers may be middle-class naff.